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A Postcard from the Person I Became cover

Original book ideaMagical realism

A Postcard from the Person I Became

A postwoman receives postcards from versions of herself who took different roads. The one card without a signature comes from the home she has avoided for thirty years.

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How it begins

The postcard was addressed in my handwriting, which was annoying because I had spent forty years teaching myself not to loop the lower-case g.

This one looped.

The picture showed a harbor I had never visited.

On the back, beneath the stamp, someone had written: You would hate the stairs, but you would love the kitchen.

It was signed Marta.

I put it in the undeliverable tray.

By lunch, there were three more.

One came from a city where I apparently owned a bookshop. One from a farmhouse with a leaking roof. The third showed a red bicycle beside a house I recognized immediately.

My mother's house.

No signature.

I checked the postmarks.

All ordinary.

All dated yesterday.

Yusuf found me standing beside the sorting table with the bicycle card in my hand.

"Bad news?"

"I don't know."

He had known me before I became a person who could deliver difficult letters without looking at the windows.

He took the card only when I offered it.

"Your mother kept that bicycle."

"I know."

"Do you?"

I put the card in my coat.

The route was long that afternoon. At every house, a version of somebody waited: the woman who stayed, the man who left, the couple who had begun again and still argued about the bins.

By the final village, I had read the bookshop card six times.

It mentioned a beautiful reading room.

It also mentioned a daughter who no longer called.

At home, my mother's last letter sat unopened beneath the telephone.

Thirty years is a long time to be too busy for an envelope.

I put the unsigned postcard beside it.

In the photograph, the bicycle leaned toward the open gate.

I could almost remember the sound its wheel made when somebody was coming down the lane.

That evening, for the first time, I looked up the bus timetable instead of another possible life.

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Outline and characters

Develop this idea

An alternate-life magical-realism idea becomes more affecting when the imagined lives contain losses as well as glamour. Give each postcard a concrete place and one detail Marta could not invent. Ordinary postal work can keep the impossible correspondence grounded without fully explaining it. Yusuf should complicate her belief that another choice would have fixed everything. Your version could use a different form of modest communication, ending with a new action in the present rather than a ranking of possible lives.

  1. Marta receives a postcard signed by another version of herself
  2. More cards describe lives shaped by choices she did not make
  3. One unsigned card shows the home she left thirty years earlier
  4. She tries to locate its sender through ordinary postal records
  5. A card from a successful life admits a loss Marta never considered
  6. Yusuf asks why she treats her own life as a failed draft
  7. Marta discovers she has been leaving her mother's last letter unopened
  8. She returns home without trying to become a different version of herself
  9. The unsigned card gains a message after she makes a new choice
  10. Marta begins sending postcards from the life she actually has
Characters
  • Marta Reed, 58. Postwoman receiving cards from lives she never chose
  • Yusuf Lane, 61. Former friend living in the hometown she has avoided
Series possibilities
  • Yusuf receives a letter from a friendship that ended differently in another town.

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