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Our Worst Holiday Won a Prize cover

Original book ideaRomance

Our Worst Holiday Won a Prize

A travel claims assessor discovers her disastrous trip with a stranger has won a romantic-holiday award. Returning for the ceremony means deciding which parts of the disaster they secretly miss.

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How it begins

The award arrived with a photograph of me vomiting discreetly behind a palm tree.

Most Romantic Travel Story of the Year.

I checked the envelope twice. The judging panel had apparently mistaken Daniel holding my hair for evidence of an excellent holiday.

There were other photographs. Our flooded room. The bus that left without us. Me pointing at a map upside down while Daniel smiled with the calm of someone who had already accepted that dinner would be late.

I had submitted the pictures to support an insurance claim.

Someone had submitted them elsewhere.

Daniel called before I found the correct person to blame.

“Have you seen it?”

“I am considering legal action against the word romantic.”

“They want us back.”

“Of course they do. Nobody who remembers the hotel would return without an incentive.”

He laughed. I remembered the sound more accurately than I remembered the beach.

We had met during a delayed transfer. Five days later he left to finish a documentary, and I returned to an office where I measured inconvenience for a living. We exchanged three messages, two links and one photograph of a sandwich shaped like the island. Then ordinary life resumed its apparently superior claim.

“The return trip is paid,” he said. “They want a short film.”

“A film about what?”

“Us.”

“There isn't an us.”

“I did mention that.”

“And?”

“They said authenticity was very important.”

I looked again at the photograph. Behind the palm tree, beyond the humiliating foreground, Daniel had set his own bag down in the wet sand so I would have something clean to sit on.

I had forgotten that part.

“What would you film?”

“The holiday we actually had.”

“No improved ending?”

“No script.”

On my desk lay six claims from people whose expectations had not survived contact with a destination.

I turned the photograph over.

“Send me the dates,” I said. “And this time, I choose where we eat.”

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Outline and characters

Develop this idea

Make the original disaster concrete and give both leads a different memory of it. A return trip should change those interpretations, not simply replay attractive mishaps. Rhea's professional caution can be valuable alongside its limits. Daniel needs a reason to prefer an honest film over a successful commission. Their final choice should work even if nobody else finds it romantic.

  1. Rhea's worst trip wins a romance award.
  2. Daniel asks to film the return.
  3. Their account conflicts with the publicity.
  4. A recreated mishap becomes unexpectedly enjoyable.
  5. Rhea learns why he left early.
  6. Daniel sees the cost of her caution.
  7. The sponsor demands a perfect ending.
  8. They show the unfinished truthful footage.
  9. Rhea makes one uncalculated invitation.
  10. They travel without a promotional schedule.
Characters
  • Rhea Cole, 35. Travel claims assessor
  • Daniel Ren, 40. Documentary editor
Series possibilities
  • Other travel workers find love in the gap between a brochure and an actual journey.

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