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My Ex Has Excellent Taste cover

Original book ideaRomance

My Ex Has Excellent Taste

A divorced bookbinder accepts a commission from her former husband's formidable new fiancée. Restoring a damaged family atlas brings the two women together, while their shared wish to stop being supporting characters becomes a thoroughly inconvenient attraction.

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How it begins

Mabel Ellis knew three things about the woman who entered her workshop: she was not there to buy a notebook, she had carried the parcel herself, and she was wearing the engagement ring Mabel had once returned in an envelope.

The woman set the parcel on the counter.

"Celia Ward. I hope this isn't an impossible request."

Mabel looked at the ring again.

"I find those arrive in several forms."

Outside, the coastal town was enjoying a morning so bright it seemed personally insensitive. Bicycles rattled past the window. A delivery boy whistled a tune Mabel almost recognized and then ruined it by becoming confident.

Celia unwrapped a large family atlas. Its spine had split, and one corner bore a dark water stain.

Mabel's professional attention took over before her less useful feelings could organize themselves.

"Who repaired this last?"

"A man who said he understood old books."

"People say a great many things about themselves."

Celia smiled. It was not the embarrassed smile Mabel had expected from a woman visiting her fiancé's former wife. It was the expression of someone delighted to have found a shared language.

"I was told you're the best person for difficult work."

"By whom?"

"The woman at the stationer's. Your former husband suggested someone cheaper."

Mabel laughed before she could decide whether she wanted to.

She opened the atlas carefully. Between two pages lay a pressed flower and a small pencil drawing of a mountain pass. The line work was precise and impatient.

"Yours?" Mabel asked.

Celia nodded. "I used to travel for the drawings."

Used to. Mabel heard the weight of it.

The ring caught the light as Celia reached toward the page, then stopped herself before touching the damaged paper.

"Could it be made usable again?"

Mabel looked at the map, the flower, and the woman waiting for an answer that might concern more than binding.

"Usable," she said, "is usually more interesting than perfect."

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Outline and characters

Develop this idea

Research the specific 1922 legal and social setting before developing this queer historical romance. Celia must resolve her engagement independently rather than using attraction to make a decision for her. Mabel needs boundaries around being treated as evidence of someone else's enlightened taste. Use the atlas's restoration as practical work, with different expertise for each woman. The ending can promise a shared journey without pretending the period's risks vanish or that independence requires solitude.

  1. Mabel receives a commission from her ex-husband's fiancée
  2. Celia insists the atlas belongs to her family
  3. A damaged page reveals an older woman's unfinished journey
  4. Their work develops into candid companionship
  5. Celia recognizes what her engagement would require her to abandon
  6. Mabel refuses to become a secret consolation
  7. Celia ends the engagement on its own merits
  8. The ex tries to claim authorship of their new independence
  9. Both women set public and private boundaries
  10. They choose a journey with separate tickets and a shared destination
Characters
  • Mabel Ellis, 44. Independent bookbinder
  • Celia Ward, 47. Botanical illustrator reconsidering an engagement
Series possibilities
  • Women rebuilding independent lives in a coastal town find later-life relationships through work, friendship, and chosen travel.

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